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The 22 fret maple fingerboard offers a compound (10 to 16) radius, jumbo frets and a 1.70 bone nut. The 1967 is a swamp ash body with a hand selected quilt maple top, real flamed maple binding, and a maple neck. Available finishes include Aged Cherryburst, Hint Black and Amber Top. Top shelf hardware such as the Grover locking tuners and the MK Twin-Edge 2 point floating tremolo elevate the boutique status. This presents a wider range of tone configurations including the highly desirable three single coil setup. The mini toggle can then be used to add in the neck pickup in configurations that would not have normally included that option. The push/pull master volume controls the coil tap for the bridge humbucker pickup giving it a traditional single coil tone option.
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In addition to the standard five tones expected with a typical 5-way switch SSH configuration, the Full 14 adds new controls and configurations.
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The Full 14 mod includes a five way switch, a push/pull master volume and an on/on mini toggle. Controls have been given a boutique mod called the Full 14 custom modification. The white mother of pearl pickguard is accented by chrome plated hardware and houses a Rockfield humbucker in the bridge position, a Rockfield single coil in the middle and a Rockfield stacked single coil in the neck position. The 22 fret rosewood fingerboard offers a compound (10 to 16) radius, jumbo frets and a 1.70 bone nut. The 1965 is a swamp ash body with a hand selected quilt maple top, real flamed maple binding, and a maple neck. Available finishes include Hint Black and Dark Amberburst. The push/pull master volume controls the coil tap for the neck pickup and the master tone controls the coil tap for the bridge pickup creating a Two Tap tone system. Controls include a five way switch, a push/pull master volume, and a push/pull master tone. The humbucker is in the bridge, a single coil in the middle and a stacked single coil is in the neck. Rockfield pickups drive the tone pallet and are mounted directly to the body. All hardware, including the Floyd Rose Special tremolo bridge is black. The 22 fret rosewood fingerboard offers a compound (10 to 16) radius, jumbo frets and a Floyd Rose locking nut. The 1964 is an alder body with quilted maple top and a maple neck with matching headstock. Available finishes include Blue Jean Wash, Translucent Red and Aged Cherryburst. Controls include a five way switch, a master volume and a Hum Tap push/pull master tone control that splits the humbucker in the bridge position.
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The white mother of pearl pickguard is accented by the MK Twin-Edge, 2 point floating tremolo, chrome plated hardware and houses a humbucker in the bridge position and a single coil in the middle and neck positions.
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The 22 fret rosewood fingerboard offers a 10 radius neck with medium jumbo frets and a 1.70 bone nut. The 1963 is an alder body with flamed maple top and a maple neck. Each of the 1960s models will feature a specially designed, open air back plate to help deliver that cherished sound while maintaining the look and feel of classic electric guitars. In the past players would remove the plate entirely to let that tone breathe.
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The open cavity and springs that attach the bridge to the body resonate louder when the guitar is played. For decades, guitar players have removed their back plates in pursuit of better tone.
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Staying true to the brands ∻outique Within Reach mantra, the new series avoids cookie-cutter specs and harnesses inspiration from the great boutique builders utilizing top shelf components, hot rod modifications and meticulous construction.Įach model features a humbucker and two single coil pickup configuration, 25.5 scale bolt-on maple necks, with a six inline headstock but it is details like the rear cover plate that set these guitars apart from the rest. HEBRON, KY Following the success of last years 1950s series, Michael Kelly introduces the vintage styled, double cutaway 1960s series of electric guitars for 2015.